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Three Thirty-Three | Trip to Lambertville | With Thanks to the Dean | You Can Get There From Here | You Can't Get There From Here
Conventional wisdom is that it's a perfect dance.
I guess sometimes even conventional wisdom is correct.
The dance relentlessly goes from one solid transition to the next. What's more, it seamlessly fits together several excellent composite figures: the circle/slide/circle, the allemande right/left, and the allemande/chain/women allemande/swing motifs. These all fit inside 64 beats without overpackig, or weak transitions patching things up. Every figure has a place and a reason, and nothing feels out of place.
"Relentless" could also describe its one weakness -- you don't stop moving (the men could pause at the top of A2, but shouldn't, and ought to loop at the sides instead), so on a hot, tiring day it can spell trouble.
Instructions for this dance can be found
here.
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