Traditional-dance-callers links
Back in 1997 a listserve was set up to get disparate groups talking to one another -- traditional square callers, contra callers, modern square callers, and eventually contra callers and family dance teachers. This list migrated to yahoo groups six years later, and since then yahoo has archived over 20,000 posts. There's a huge wealth of information here. I've culled some of my personal favorites, and organized them below.
However, the list and archives are part of a private yahoo group. To access these articles you must:
- Sign up to be a trad-dance-callers member.
- Sign up for a yahoo ID.
- In your yahoo profile, link to your email account used in step 1.
Last updated 1/1/2014. New links from the past yearish are in red.
To see the author/date of an article, hold the mouse over the link box.
A list of instructions for specific dance sequences is on a subpage.
Quick index
-
-
-
CP :
Frames of reference.
-
BP :
Teaching time limits.
-
DM :
Teaching flirtation.
-
JS :
On avoiding questions.
-
AW :
Progression.
-
JS :
Right-seems-wrong syndrome.
-
JS :
Misunderstandings.
-
RK :
On lecturing.
-
KD
KD :
Filling dead time.
-
TH
RM :
Memorizing.
-
MM
MM :
Teaching/set formation time statistics.
-
-
JM :
Filler words and tempo.
-
JS :
Dance length.
-
JS :
Exceptions to who-what-where.
-
DK :
Medleys.
-
DH :
Dropping out.
-
RN :
Chanting.
-
BP :
Laryngitis.
-
EH :
Mike usage.
-
BM :
Recording yourself.
-
DP
KD :
Contra line breaking down.
-
JS
JS :
Transcripts.
-
JE
RM :
Voice technique.
-
DP
GW :
Counting.
-
JS
TP
DP :
Timing.
-
DM
AW
WL :
No calling.
-
-
-
SG :
Style and connection.
-
DS :
Flourishes.
-
CH :
Promoting style.
-
DH :
Too much advice.
-
DH
DH
EH
DK
EH
EH :
Safety.
-
-
-
MM :
Caller's duties.
-
DS :
Death.
-
MW :
Giving feedback.
-
RK :
Getting feedback.
-
RK :
Honoring someone.
-
RK :
Panic.
-
RS :
Recovering from mistakes.
-
CK :
Silly dances.
-
NM
MG :
Heat.
-
-
TP :
Mixers.
-
JS :
Building programs.
-
JS :
Community dances.
-
TP :
Dancers' needs.
-
AW :
Difficulty level.
-
ST :
Repeating dances.
-
AW
TP :
Variety.
-
MB
JS :
April Fool's.
-
DS
DS
DM
AF
JM
TP
BD
DH
MD :
Sannella programs.
-
-
ST :
Without cards.
-
DS :
Card memorization.
-
KD :
Cardfile boxes.
-
DS
MD :
Databases.
-
AW
DM
NM :
Repertoire size.
-
-
DM :
Dancer support.
-
DK :
Hotshots.
-
DM :
How you shape your audience.
-
CC :
Molding a population.
-
DM :
Programming tactics.
-
DM :
Shaping the community.
-
DS
DM :
Center-set syndrome.
-
-
GR :
Deaf.
-
DL :
Marching through Georgia.
-
DS :
Mentally handicapped.
-
DM
DW
JG :
Blind.
-
BH
BD
WL :
Non-English speakers.
-
CR
AW
TP
DS
DL :
Gender-free.
-
-
-
JK :
Number of rotations.
-
JS :
Mid-phrase.
-
DM :
Mutual support.
-
RS :
Woman on the right.
-
DK :
Swing-to-chain.
-
JS
JS :
Early swings.
-
TP
TP :
Quebecois swing.
-
SN
JS
CH
CF
DH :
Teaching.
-
-
DL :
History.
-
RS :
Starting foot.
-
RS :
Teaching.
-
DM
EH :
Direction.
-
DL
TP :
Pigeon wing.
-
-
RS :
Chain vs. change.
-
DM :
Early half ladies chain.
-
RS :
Teaching ending orientation.
-
JS
JG
AN :
Teaching.
-
TP
JM
TP :
Standardization.
-
JS
JS
JS
KD
JS :
Older ladies chains.
-
DL
JM
RS
RS
AW :
Older right and left throughs.
-
-
RS :
"Cast" etymology.
-
RS :
Chestnuts and down-the-hall.
-
DM :
Down the hall timing.
-
-
EH :
Allemande safety.
-
RD :
Bouquet waltz.
-
TP :
Box the gnat history.
-
BM
CH :
Connected circles.
-
DL
RD :
Contra corners.
-
TP :
Cross trails.
-
DM :
Do-si-do history.
-
AW
AW
CH :
ECD figures history.
-
KN :
Gypsies.
-
BM
AW
L
BM :
Gypsy objections.
-
CP
CH :
Hey teaching.
-
AW
JS
MB
JS :
Mad robin.
-
SG
KD :
Petronella claps.
-
RL :
Regional variants.
-
JS :
Roll the Barrel.
-
CB
RS
RN :
Sashays.
-
NM
NM
JS
DM
JS :
Square do-si-dos.
-
CB
CP :
Twirl to swap.
-
-
AW :
Lead/follow.
-
JS :
Teaching landmarks.
-
DM :
Teaching corner, progression.
-
AG :
Useful skills.
-
-
-
EH :
Erik Hoffman.
-
RK :
Ridge Kennedy.
-
DK :
David Kirchner.
-
DM :
David Millstone.
-
NM :
Nancy Mamlin.
-
SN :
Sherry Nevins.
-
JS :
Jim Saxe.
-
DK
ST :
Individualized teaching.
-
-
-
JG :
Singing.
-
AF :
Teaching phrasing.
-
RN :
Counting.
-
-
DP :
Goals.
-
ST :
Philosophies.
-
BM :
Identifying newcomers.
-
BS :
Encouraging new dancers.
-
LM :
Empowering beginners.
-
RM :
Flourishes.
-
CH :
Developing the group.
-
RS
DK :
Intimidation factors.
-
-
-
LH :
American history program.
-
KD :
Early American dances.
-
RS :
Clogging in contras.
-
AW :
Early callers.
-
RF :
Poems.
-
SG :
Footwork definitions.
-
AW :
Researching dances.
-
AW :
Calling origins.
-
KD :
Germans.
-
AW :
Mixers.
-
AW :
Late 1800's.
-
RS :
Music of 1800's.
-
AW :
Interperting 1850's contras.
-
AG :
"Historic Dance" books.
-
AW
AW :
Sicilian circles.
-
DL
AW :
Top couple active.
-
JS
BN :
80 step mystery.
-
CB
MM :
Irish dances.
-
JS
JS :
Lincoln.
-
DL
AW
MM :
Dancing masters.
-
-
LA :
1902 poem.
-
RS :
Ballroom vs. barn.
-
AW :
Decline in early 1900's.
-
DM :
Phases of popularity.
-
CC :
Colorado in 1920's.
-
TP
OW :
Finances.
-
DM
PJ :
Gym class.
-
DL
SM
BL :
New Hampshire in 1940's.
-
-
TP :
Jews.
-
DL :
Children.
-
DL :
Recordings.
-
DL :
Early NEFFAs.
-
DL :
Musician's unions.
-
TP
TP :
Feuds.
-
DL
DL
SM :
Contra music.
-
-
DM :
Becket.
-
AW :
The folk process.
-
DL :
Changing traditions.
-
DL :
Apprenticeships.
-
DM :
Old-timers talk.
-
DL :
Unchanging programs.
-
TS :
Triplet origins.
-
AW
DL :
1964 video.
-
-
-
PJ :
Recordings 1923-1925.
-
TP :
1920's Ozarks.
-
FF :
1949 booklet.
-
JS :
Earliest references.
-
FF :
Hamlin Garland quotes.
-
TP :
Good records.
-
TP :
Singing squares.
-
BD :
Big set.
-
DL :
Alternate traditions.
-
AW :
Cotillion's influences.
-
AW :
Quadrilles.
-
TP :
Patter.
-
DM
AW :
French influence.
-
DK
RS :
Old Catville Quadrille (1924).
-
BN
RL :
Book links.
-
TP
TP :
Cowboy Dances editions.
-
TP
TP
TP :
Square ancestors.
-
FF
FF
FF :
Arizona.
-
NM
TP
TP :
Taxonomy.
-
-
RN :
Call standardization.
-
DW :
Early recordings online.
-
JM :
Timeline.
-
DL :
Early MWSD.
-
RS :
Allemande handholds.
-
JM :
Original CALLERLAB goals.
-
TP :
1960's.
-
JS :
L.A. 7/13/1950.
-
TP
TP :
Early choreography.
-
DM
JM :
Jim Mayo book.
-
TP
TP
DW :
Switch to records.
-
TP
TP
TP :
Records.
-
-
BB :
Bob Brundage.
-
TP :
Ed Durlacher.
-
DK
BM :
Gene Hubert.
-
BN :
Culver Griffin.
-
DL
DL
JL :
Dudley Laufman.
-
TP
DM
TP :
Dick Leger.
-
RH :
Bob McQuillen.
-
WL :
Duke Miller recordings.
-
TP :
Ed Moody.
-
FF
BM :
Bill Martin.
-
DM :
Glenn Pease.
-
DM :
Ted Sannella.
-
AB
FF
MG :
List members threads.
-
-
TP :
Recordings.
-
DL :
April 1st.
-
DL :
Prompting style.
-
TP :
1939 article.
-
DL
DL :
Orchestra.
-
DL
SM
HB :
Memories.
-
DL
DL
DL :
Repertoire.
-
-
BB :
Connecticut.
-
TP :
Franklin, CT.
-
JS :
Florida.
-
TP :
Boston squares.
-
DM
DL :
New Hampshire.
-
WL :
Bradford, NH. (1950's)
-
DS :
Orwell, NY.
-
NM :
Glendale Springs, NC.
-
TP
TP :
West Newbury, VT.
-
-
DL :
Newfoundland.
-
PL :
Nova Scotia.
-
AB
DL
DL :
Quebec.
-
-
-
-
DK :
Catch-up moves.
-
TS :
Ted's Triplets etiquette.
-
DM :
Adding figure names.
-
RD :
Fractional circles.
-
TP :
Modern classics thread.
-
DM :
Al Olson recommendations.
-
LG :
Slip jigs.
-
FF :
1980 collection.
-
CP
CP :
ECDish.
-
DM
WL :
Hash.
-
EH
FP
ST :
Blues contras.
-
CR
CR
DK :
Development.
-
DM
TH
DK :
New figures.
-
-
-
EH :
Being inactive.
-
DK :
Short lines.
-
RS :
Modern variants.
-
DK :
Preserving traditions.
-
AW :
Traditional choreography.
-
DM
SP :
Programs.
-
JS
BM
TP
MM :
What is "traditional"?
-
DL
DL
DM
DM :
Tunes.
-
-
DM :
Set length.
-
AW :
Four couple sets.
-
AW :
Why inactive?
-
DM :
Teaching.
-
-
DL :
Arkansas Traveler.
-
BN :
Chimes of Dunkirk.
-
AW
JS :
Chorus Jig.
-
JS :
Lady of the Lake.
-
AW :
Maid of the Oaks.
-
DL
DM :
French Four.
-
BD :
Paul Jones.
-
DL :
Petronella/Chorus Jig.
-
DM :
Portland Fancy.
-
AW :
Spanish Dance.
-
-
DM :
Earlier versions.
-
DL :
Memories.
-
DL :
Money Musk.
-
SM :
Tune.
-
RS :
Turns.
-
PY
DL :
Forward and back.
-
WL
LS :
Patter.
-
-
-
-
-
JS :
Couple numbers.
-
TC :
National calendar.
-
-
TP :
Attributes.
-
SN :
Skills needed.
-
JS :
Keepers vs mixers.
-
SN
DM :
Including squares.
-
WL
AW
TP
CF
DL :
Not liking squares.
-
ST
TP
BM
BD
MM :
Selling squares.
-
-
-
CB :
Hexagons.
-
RN :
Resolving hash.
-
JM :
Smoothness.
-
GF :
State folk dance.
-
CB :
MWSD lists origins, and differences from contras.
-
CB
CB :
Figure overlap with contra.
-
LG
RS :
Differences in appeal from contras.
-
DM
JM
JM :
Swing through.
-
TP
FF
FF
TP :
Early records.
-
-
TP :
Lists.
-
JM :
"Variety."
-
DM :
High-level dancer.
-
RS :
Class length.
-
CB :
Symptoms.
-
DM :
C4 Challenge.
-
DM
RS :
Overactive 10%.
-
-
-
-
-
-
DL :
Programs.
-
SN :
Including parents.
-
AC :
6 minutes.
-
CB :
Squares.
-
OW :
Slap bracelets.
-
DL :
Large groups.
-
DL :
Fiddle clubs.
-
KD
JS :
Large numbers.
-
CP
KD :
Tough gigs.
-
KD
RK
KD :
Advice.
-
YC
DL
DL
AW :
Historical programs.
-
DM
KD
PR
BP :
Kindergartners.
-
-
JG :
ECD.
-
JS :
Jewish.
-
DL :
Programs.
-
-
KD :
Over teaching.
-
AW :
Civil War cds.
-
AW
TP :
California.
-
DH
KD :
Civil War advice.
-
DH
KD
AW :
Civil War repertoire.
-
AW
KD
AW
DL :
1812 dance.
-
-
BD :
Advice.
-
BB
AB :
Programs.
-
DL
DL :
Wheelchairs.
-
-
AC :
Prisons.
-
KD
JS :
Bar Mitzvah.
-
AW
CH :
Gender-free.
-
DK
PR
BM
DL :
Creating a community dance.
-
-
-
PR :
Adapting.
-
BB :
Mixing squares.
-
BP :
Overteaching.
-
KD :
Progression.
-
DL :
R&L through.
-
PR :
Variety.
-
TP :
Walkthrough styles.
-
TP
KD :
Distractions.
-
OW
CH :
Pacing.
-
RK
DL :
Set management.
-
DL
DH
DL
TP :
Caller's mindsets.
-
SN
ST
SG
EH
SH
TP
CG
OW :
Getting people up.
-
-
-
-
-
DK :
New band advice.
-
SN :
Squares vs contras.
-
DL :
Medleys.
-
SE :
Hotness.
-
DM :
Adapting tunes.
-
MG :
Historical styles.
-
CP
BP :
Phrasing.
-
CF
CF :
Cheap tricks.
-
-
DL :
Christmas.
-
EH :
Crooked tunes.
-
SG :
Swing music.
-
TP :
Victorian.
-
AW
WL :
Ragtime.
-
-
WL :
Programming dances.
-
NM :
Variances between bands.
-
NM
NM :
Playing for contras.
-
NM
BM :
Recordings.
-
DK
DK :
Cultural differences.
-
-
-
LS :
Tempo adjusting.
-
BA :
Audio editor.
-
JS :
Usable material.
-
CB :
MWSD music.
-
DS
DM :
abc.
-
DW
BM
DW
DW :
Record hiss.
-
TP
DP
WL
DP :
Calling to recordings.
-
MM
DW
BM
TP
CB :
Converting to cds.
-
-
DP :
Ten Commandments of Sound.
-
CB :
Sound enhancement.
-
KD :
Remote power.
-
JL :
Lightweight speakers.
-
WL
RM :
Megaphones.
-
NC
WP
EH :
Digital recorders.
-
BP
WL
BD
WL :
Microphones.
-
-
DM :
Vision statements.
-
DM :
House callers - advantages.
-
RK :
New dancer's survey.
-
BM
CK :
The break.
-
BH
BK :
Volunteers appreciation.
-
DP
JS
RH :
Photos.
-
JS
PS
RH :
Series rebirth.
-
-
SE :
Facebook.
-
KD :
Fliers.
-
KD :
Public drum.
-
SG :
Reach.
-
JK :
Trycontra.com.
-
TC
CS
BS :
Series databases.
-
-
-
EH :
Examples.
-
RM :
Excluding.
-
RM :
Changing.
-
MG
AW :
Policy codes.
-
MG
EH
AW
ST :
Inclusivity.
-
-
-
JS :
Space per dancer.
-
JE :
Finding a new hall.
-
KD
CH :
Building capacity.
-
-
JS :
Marks.
-
MJ
JS :
Refinishing.
-
TH
WW :
Building.
-
RM
RS :
Maintenance.
-
-
RS :
Enjoying contras.
-
MM :
Intimidation.
-
AW :
Recovery.
-
EH :
Phases of a dancer.
-
MC :
Techniques to improve.
-
DM :
Great dancers.
-
JS :
Teaching pivots.
-
AW :
Varsouviennes.
-
RS :
Booking ahead.
-
JT :
Infants.
-
MB
AW
DH
BM
ST
JS :
Declining dances.
-
-
BM :
Dancer intolerance.
-
BM :
Tunnel vision.
-
AW :
Cultural expectations.
-
BN
BM
NM :
Separate but equal.
-
AW
MW
MM
MM :
Ceilis.
-
-
-
BM :
Portland squares.
-
JK :
L.A. contra.
-
-
DL :
Contra in fiction.
-
AW :
Moliere quote.
-
DM
PR :
Kids'.
-
-
RN :
"Barn Dance" TV special.
-
DM :
RPDLW video.
-
CB :
Square dance movies.
-
AW :
Pride & Prejudice dances.
-
DM :
C-4.
-
DM
DM
DM
DM
DM
DM
BM :
Squares.
-
-
-
-
JS :
General.
-
HC :
Australian colonial.
-
SM :
Early music.
-
JS :
EEFDS.
-
DM :
Note services.
-
CK :
Sets in Order.
-
DM :
Square dance history.
-
NC :
Stockton syllabi.
-
JK :
Library of Congress audio archive.
-
-
RK :
History.
-
RK :
Etiquette.
-
EM :
Accessing archives.
-
RK :
Copyright etiquette.
-
RK :
Post trimming.
-
RK :
Vacation stops.
-
RK :
'MUC'.
-
RK
RK :
Announcements.
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