Right now I'm not intentionally writing many, but occasionally one happens. That's what this page is for.
A fancy way of saying "Hands four from the top."Bonfire
A1 (4) Facing neighbor, mirror set (away, towards)  (4) Cloverleaf turn single away from partner  (8) Twos changes rights and lefts (PR,NL) A2 (4) Facing same neighbor, mirror set (away, towards)  (4) Cloverleaf turn single away from partner  (8) Twos changes rights and lefts (PR,NL) B1 (8) Star right 1 with previous neighbors (N0) (8) Star left 1 with original couple B2 (8) Those men pass left  (4) Women pass right (4) Partner two-hand turn 1 & 1/2, open up to face next 
Written for the 2013 Los Angeles Playford-to-Present Ball. Named for the great band, Bonfire, to let them have a chance to play some of their contra sets in an English setting.
The two tunes that Bonfire chose were "East Tennessee Blues" and "West Coney Island Rag", the later written by Richard Scher for this dance. To hear both, check the video below.
Videos: (#1) (#2)Once Upon a Cherry Blossom
A1 (12) Neighbor clockwise gate 1 (12) First corners back-to-back A2 (12) Neighbor counterclockwise gate 1 (12) Second corners back-to-back B1 (6) 1/2 mad robin, clockwise around neighbor  (6) Single file promenade clockwise 1/4  (12) Partner two-hand turn 1 & 1/2 B2 (6) 1/2 mad robin, clockwise around partner (6) Single file promenade _counter_clockwise 1/4  (12) Circle right 1
Written for the 2015 Sage Assembly Ball in Santa Fe, New Mexico. Written to a waltz "Once Upon a Cherry Blossom" written by the band, Ladies at Play. (The tune is on their cd, "Once Upon a Waltz.")
While it was written to that particular waltz, probably a number of other 32-bar waltzes would work fine.
The first half of B1 was an attempt to set things up for partner interaction of the side.
Most of the figures have loose timing. The exceptions are the two-hand turn and the circle right.
Videos: (#1) (#2)
An improper set, where the major set is bent ito a circle, with its top and bottom touching.
Ones are facing counterclockwise, twos clockwise.May Faire Fantasy
A1 (8) Dip and dive past two (ones arch, twos dive) (twos arch, ones dive)  (4) Twos 1/2 figure eight through next (N3) A2 (8) Dip and dive past two (twos arch, ones dive) (ones arch, twos dive) (8) Ones 1/2 figure eight through next (N5) B (8) Mirror gypsy with current neighbors N5 (ones split twos) (8) Mirror gypsy with previous neighbors N4 (ones split twos)  (4) Facing partner, set (4) Trade trip-to-Paris style with partner  (8) Partner two-hand turn 1; face N5 
Commissioned for our 10th anniversary San Diego ECD ball in 2017. Since one of our main props is a maypole, both Rebecca and I were asked to give the feel of a maypole dance.
The music is 32 bars.
This dance is quadruple progression, so it's not ideal if the total number of minor sets is divisible by four. It does work fine if there's only an even number of couples, as the mirror gypsy catches the odd couples.
As opposed to longways set dances -- those for a fixed number of couples.A Double Rule of Three
A (12) Circle right  (12) Partner gate 1 counterclockwise (women forward) B1 (12) Circle left (12) Partner gate 1 & 1/4 clockwise (men forward) Men make star in middle, hold on to partner  C (6) All forward a double in star, pause (6) Men star left 1/2 while women cast over right shoulder and orbit clockwise, passing one, and facing the next (original corner)  (12) Corner gypsy B2 (18) Grand right and left (CR,PL,opposite R), face corner (new partner)  (6) Turn single left
Music is an unpublished 32-bar waltz at about 140 bpm. The A and B music are very similar. For more information, contact Dave Wiesler.
 Circle of three couples, with man on left and woman on right.
 Note the timing is given in beats, not bars. To obtain bars, divide all numbers by three.
 At this point, the men have left hands in the center, making a left hand star. Each man's right hand is holding their partner's left hand. Partners are facing in the same direction. They then all walk forward in the star. This is a lot simpler than I make it sound.
 When you meet your corner, men need to take a step or two away from the star to expand the size of the circle.
 Notice each change is six steps long -- they're better done as wide half-turns, rather than pull bys.
Written on request for the 2010 L.A. Playford-to-the-Present ball, to include a dance from the present. Many thanks to Dave Wiesler for providing me with some of his wonderful compositions.
Named for a line in the dreadfully tedious "Sylvie and Bruno" by Lewis Carroll.
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