|1||The Hop Ground||Preston 1794|
|2||Alice||Philippe Callens||called by Victor Garza|
|4||The First of April||Thompson 1780|
|5||The Spaniard||Thompson 1777|
|6||Squaring the Circle||Loretta Holtz|
|7||My Lady of the Lake||Loretta Holtz|
|8||Yellow Stockings||Neal 1726|
|9||Mr. Isaac's Maggot||Playford 1698|
|10||La Gavre||1777||called by Victor Garza|
|11||De'il Take the Warr||Young 1721||3-couple set|
|12||A Trip to Paris||Walsh 1711|
|13||An Early Frost||Philippe Callens|
|14||Halsway Sicilian||Pat Shaw||Sicilian circle|
|15||Barbarini's Tambourine||Walsh 1741|
An interesting evening. This was the original plan:
We started out with one new dancer. Two more new ones arrived before the second dance. Four more who had only danced once years ago arrived before the third.
At this point I warned dancers we were going somewhat off program. I stuck with the third dance -- it's forgiving enough, while making mental edits.
During "Alterations" seven more new dancers walked in the door. (Our regular attendance is 30-40.) That's when I ripped the programs off the wall and just started choosing from scratch. Many of them were younger (20's-30's), so I tried to aim for more interesting simple dances, with activity, but wouldn't wipe out our older crowd. I think it worked, since they all stayed to within fifteen minutes of the very end of the evening. But it was an interesting exercise in programming on the fly, like doing "Yellow Stockings" as a set-up for "Mr. Isaac's Maggot."
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