| Dance Name | Author | Variants/comments | |
|---|---|---|---|
| 1 | Madiera Dream | Tom Senior | |
| 2 | Dover Pier | Preston 1791 | |
| 3 | Angels Unawares | Graham Christian | |
| 4 | Knole Park | Bishop 1788 | called by Patrick Burns |
| 5 | The Black Nag | Playford 1670 | 3-couple set |
| 6 | The Young Widow | Griffiths 1788 | Triple minor |
| 7 | The Bonny Cuckoo | Gail Ticknor | 4-couple set |
| 8 | Red House | Young 1721 | |
| 9 | A Trip to Paris | Walsh 1711 | |
| Break | |||
| 10 | Farewell Marian | Circle mixer called by Liz Tarnove |
|
| 11 | Jaque Latin | Wilson 1775 | |
| 12 | Key to the Cellar | Jenny Beer | Triple minor |
| 13 | Margaret's Waltz | Pat Shaw | done improper |
| 14 | Jamaica | Playford 1670 | called by Patrick Burns |
| 15 | My Lady of the Lake | Loretta Holtz | called by Liz Tarnove |
A number of our regular dancers were off on a Ken McFarland tour, so it was a smaller night.
When teaching triple minors, I've taken to describing the switching of the twos and threes as an "identity crisis that the ones need to help them with."
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