|A1: Do-si-do, swing neighbor
|Clean as a Whistle
A2: Gypsy and swing
|After the Solstice
called by Frannie Marr
|Cheat the Lady
|Sweet Music for Guys
|Awesome Double Progression Dance
"Minor Key" was a critical experiment in my understanding of triple minors, but since it has multiple lengthy shadow swings, it was dumped. Here it is, for the morbidly curious:Minor Key
A1 Forward and back Do-si-do corner  A2 Balance same corner Swing same corner, face into center B1 Men star left 2/3 Swing next corner  B2 Women star right 2/3 Swing partner, face next 
One way to get there is to start proper. Ones and twos
trade places with their partner. Then twos and threes
form a circle of four and circle left 1/4. Or you could
just get couple one improper, and have the other couples
 Ones progress down two couples each time. Twos and threes stay together as they travel up the set, switching sides each time through the dance.
 If you form a circle of six, it's easy to see who your corner is. Technically (if you followed the instructions of , it's M1 and W2, M2 and W3, and M3 and W1.
 Someone they haven't yet swung, but isn't their partner.
 Ones face down, twos and threes face across and uppish.
My first experiment in writing triple minors. It's modeled after "Alamo Triad" by Bobb Marr and "Bastille Day Reel #2" by Al Olson. It's also essentially a two-face-four.
End effects are simplified. At the bottom couples just wait out Becket-like for three couples to dance with -- as it's double progression there's no problem with the bottom couple never getting in. When two couples are out at the top, they both wait improper-like facing down. One couple will get in the next time through the dance, the other couple will get in the time after that.
There is a hidden shadow swing in this dance for the twos and the threes.
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