| Dance Name | Author | ECD influences | |
|---|---|---|---|
| 1 | Puce Set One | Martha Wild | Pousette |
| 2 | Catch a Falling Star | Melanie Axel-Lute | Hands across stars, turn single |
| 3 | Flirtation Reel | Tony Parkes | Hey, gypsy |
| 4 | Kitch as Kitch Can | Bob Isaacs | Mad robin |
| 5 | Tapestry | Erik Weberg | A1&A2 from "The Dancing Wife" |
| 6 | A Good Feeling | Bill Pope | Orbiting from "Fenterlarick" |
| 7 | Kinematic Vorticity | Carol Ormand | Gating |
| Break | |||
| 8 | Heather's Cookie | Martha Wild | Pousette/hey transition from "Companions" |
| 9 | Beneficial Triplet | Al Olson | Triplet, derived from "Pat's Tradition" |
| 10 | Windup Your Neighbor | Me | Draw pousette, two-hand turn |
| 11 | Yearning for Peace | David Smukler | Adaptation of "Peace be With You" |
| 12 | Handsome Young Maids | Sue Rosen | "Dublin Bay" figure, cloverleaf turn single |
As earlier in the day we did a Pat Shaw workshop, I decided to do all dances that used elements or pieces of English Country Dancing. I couldn't fit in all the material I wanted to use (having to leave out "Goodman's Fancy" hurt), and really could have expanded this by another hour. Fitting in sufficient swings and courtesy turns was tricky.
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